Capturing What Matters
Since I was a child I would always create things. Not in the way most painters do - through painting and drawing - but through crafting. Crocheting, knitting, carving, jewellery making. Making things with my hands was how I made sense of the world.
Then life took over. HR, corporate, career. One by one the creative pursuits fell away, and slowly, without noticing, I became someone else. Years in corporate taught me to close off, not trust, not feel, not ask. I was lonely on the inside, with a life that looked fine on the outside.
I didn't realise how much I'd lost until one day during the pandemic, when it all got a little too much, I picked up brushes and watercolours. And everything shifted. There was no turning back.
For years I painted to calm myself. To find peace after work. To recover. Missing my family, I would try to paint them - to capture moments and feelings in a way a camera never could. I was already learning, without knowing it, that paint holds something photographs don't. It holds presence.
Then came the news that changed everything.
On my birthday I spent the day and night with my mum at the hospital. Cerebellar stroke. Her recovery took time, and she will never be quite the same - not physically, not mentally. Moments and memories, quietly wiped away.
Losing someone while they are still here is its own kind of grief. But it gave me the clearest sense of purpose I have ever had.
Now I have left corporate behind. Moved to a new place, new surroundings - calm landscapes, space to reflect, to journal, to notice. I am training to become a better figurative artist. Someone who sees more. Micro expressions most people walk past. The quality of light on a face in a particular moment. The presence of a person, not just their features.
Because presence is what I want to capture. Not a plain record, or copy. The feeling of someone being there - translated into paint by a human hand, led by heart and experience. Something that will become an heirloom. A record for families. A memory that won't fade.
My mum losing her memories made me understand, more deeply than anything else, why this matters.
I don't know yet who I'll become on the other side of this. But I know that painting people and moments is the closest I have ever felt to truly seeing someone and some things.
That is what I am here to do - help myself and others hold onto what matters, before it is gone. To record memories of people and places, in paint, for the generations to come.
Artist Biography
Marta Stolarska (b. 1988) is a figurative oil painter based in Suffolk, England.
In 2011, gained an HND in Interior Architecture, qualifying as an Interior Architecture Specialist. In 2022-2023 she completed an intensive Art Mastery programme with the Milan Art Institute, after which she continued her development attending workshops and sessions from practising artists and masters, a path she has designed to develop particular aspects of her art practice.
Artist is focused on figurative work, landscapes, and still life, all united by a single preoccupation: capturing memories, moments and events through narrative, and the emotional response often using the behaviour of light to tell the story.
Her work has been exhibited at the Royal Birmingham Society of Artists, Birmingham Open, the RBSA Exhibition, and the Purple Gallery in Bournville, Birmingham, as well as in local shows across East Anglia. Her paintings are held in private collections across the United Kingdom, Poland, and the United States.
Stolarska is also the founder of the Art Mail Club - an art print club through which she shares personal letters, reflections, poems and art with its members.
Artist Statement
Stolarska' s work is characterised as contemporary realism - working in oils her work spans figurative, landscapes, and still life.
Painting people and faces is the closest she's ever felt to truly seeing someone. Capturing not just the person, but their presence.
When capturing moments in landscape, or building narrative in the still life, artist connects it closely to human emotions and meaning, often showing them through the behaviour of light, or shadow. Shows feelings subjects leave behind. The way light moves across water, suggesting the stillness, the calmness, or on the contrary, the power of nature, the power one can feel within him or herself, sometimes disruptive or even devastating.
Curious about my process? Read how I make an original oil painting → how-an-original-oil-painting-is-made
or
Have a look at this beginning of an oil painting I have recorded. → Impressionist Summer Sunset with Hay Bales
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Exhibitions
2026
Juried Exhibition 'The Movement' Fox Yard Studio, Stowmarket, UK
Longlisted for The Visual Art Open at VAA
Longlisted for Artist Of The Year 2026 awards at VAA
2025
RBSA Juried Group Exhibition, 4 Brook St, Birmingham, UK,
RBSA, Public Artist Talk (Background, Process, Practice) 4 Brook St, Birmingham, UK
Ongoing exhibition, Purple Gallery, Birmingham, UK
Shortlisted for Coventry Open 2025 at Herbert Art Gallery & Museum
2024
6 month Exhibition at The Gin Vault and the O Bar, Broad Street, Birmingham, UK,
6 month Exhibition at The Birmingham Open Studios, Moseley Exchange, Birmingham, UK,
Live Demonstration at Purple Gallery, Chiaroscuro Still Life
Exhibition at Birmingham Open Studios, Moseley Exchange, Birmingham, UK
Live Demonstration at Birmingham Open Studios, Moseley Exchange, Birmingham, UK
Summer Exhibition, Purple Gallery, Birmingham, UK
Juried Group Exhibition Birmingham Creates: The Open, Victoria Square, Birmingham UK,
Two Week Duo exhibition, Purple Gallery, Birmingham, UK,
2 Month Winter Exhibition, Purple Gallery, Birmingham, UK,
2023
Exhibition at Birmingham Open Studios, Moseley Exchange, Birmingham, UK
Live Demonstration at Birmingham Open Studios, Moseley Exchange, Birmingham,
June 2023, Summer Exhibition, Purple Gallery, Birmingham, UK,
Ongoing exhibition, Purple Gallery, Birmingham, UK, 2023
Professional Memberships
VAA Virtual Artists Association member
Norfolk and Norwich Art Circle member
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